Flemish painter (bc1568, Bruxelles, d. 1625, Antwerpen).   Related Paintings of BRUEGHEL, Jan the Elder :. | Great Fish-Market | Sencse of Smell (mk14) | The Great Bouquet df | A Flemsh Fair (detail) ffg | Sense of Taste (mk14) |
Related Artists:
Isaak Soreau
painted Basket with fruit and plum leaves in c. 1640
Felix Maria Diogg
(b Andermatt, 1 July 1762; d Rapperswil, Schwyz, 19 Feb 1834). Swiss painter. From 1782 he was a pupil of Johann Melchior Wyrsch in Besanion, under whom he developed the essential aspects of his portrait style. He also studied further in Rome and Naples from 1786 to 1788. He was capable of executing bright, incisive portraits in the manner of Angelica Kauffman, as in Portrait of an Artist or psychological studies, best seen in Ulysses von Salis-Marschlins. Several of his group portraits, such as the Esslinger Family, show the influence of Italian and British painting, with which he seemed to be familiar. He was a friend of Johann Kaspar Lavater, discoursed with Goethe and enjoyed the company of the Swiss historian Johannes von Miller (1752-1809), whose portrait he painted. His portraits are generally bust-length types set against a solid, dark background. This format was favoured by his Swiss clientele and is seen in Burgomaster Heinrich Krauer (1799; Lucerne, Kstmus.), which also reveals the dignified wooden pose frequently selected by his models. His direct, fashionable treatment of the sitter attracted a wide range of clients from all levels of society. He seemed to be as much at ease painting the Empress of Russia, Yelisaveta Alekseyevna (1814; Karlsruhe, Staatl. Ksthalle) as he was portraying the bourgeoisie of central Switzerland.
Willem Bastiaan Tholen
was a Dutch painter, draftsman and printmaker, born in Amsterdam, 13 Feb 1860, died in The Hague, 5 Dec 1931. He came from an artistic family, who lived in Kampen from 1864. There he developed at an early age a lasting love of the Zuiderzee. In Kampen he became friendly with the young Jan Voerman; they entered the Amsterdam academy together in 1876, where Tholen studied under August Allebe. Subsequently he learned technical drawing at the Polytechnische School in Delft until 1878. Thereafter he spent three months in the studio of Paul Gabriël in Brussels, from whom he received his first real instruction in painting. In the following years Gabriël's advice was of particular importance for Tholen, as they worked together en plein air for many summers near Kampen and Giethoorn, among other places. In Gouda (1878-9) and Kampen (1880-85) he taught draftsmanship in order to support himself but after 1885 concentrated entirely on his own work. From 1887 he lived in The Hague, where he became friendly with the painters of The Hague school. He took an active part in the artistic life of The Hague and was a member of the Pulchri Studio.